Multilink presents… Capsule 01 Art Book

November 24th, 2009

After several months of planning and assembly I’m pleased to announce the release of Capsule 01, a collection of art from some of my favourite international image makers and the first in a series of Multilink related print projects…

Capsule 01 pile

Let me begin by making it clear that the Capsule series is in no way intended as a replacement for the online magazine (which is still due to return in the near future), serving instead as a physical extension with it’s own functionality and agenda in line with the nature of the format. To explain a little further…

Since publishing the first digital issue of Multilink Magazine people have often enquired about a print version and expressed an interest in getting their hands on the featured artwork in a more tangible format. There’s a number of reasons why the magazine has always made more sense to me in a digital format both in terms of production and distribution as well as the flexibility needed to accommodate the diversity of what’s been featured in each issue. That’s not to say I don’t fully appreciate the desire to interact with content away from the computer sometimes. There’s so much to soak up online that it’s often hard to really give things the level of attention they deserve and regardless of what quality monitor you use it never really feels the same as leafing through well printed pages on a nice weighty paper stock.

Imaone

Multilink Magazine has always been a purposely chaotic mixture of people and ideas across as wide a variety of disciplines as possible. The idea is to celebrate the diversity of creativity while at the same time trying to highlight the common fundamentals involved. This has meant issues of various sizes are released at irregular intervals, one of many logistical considerations that alongside the fluid nature of the content in each issue really doesn’t sit too well with the kind of unavoidable financial model required to produce and distribute a project in print.

Capsule has been conceived as a high quality and collectible series of art books and prints that span the same diversity of visual culture found in the free online magazine without the editorial. Many of the same principles remain in place such as the variety of content and desire to elevate some incredible talents, generally operating beneath the popular radar. But where the online magazine is a platform for all kinds of creative endeavours, these books and prints provide a more focussed catalog of art and illustration. High production standards have been a key consideration and considering what we’ve achieved with the magazine in it’s ‘virtual’ environment I’ve been keen to ensure that the physical quality of the end product justifies the move to a manufactured format. On a similar note, I’m happy to say that we’ve kept tightly in line with all FSC standards, using environmentally sound inks and paper from well managed forests and other sources. It was essential from the start to try and make the books as affordable as possible and collectible over time forming a much larger resource and archive. With that in mind they all feature an extra durable PUR binding to ensure you won’t find pages starting to drop out over the coming years. You can also open them up nice and wide too without worrying about any disturbing cracking sounds from the spine.

Alex Young

So enough introduction from me, follow the link below (or in the left hand menu) to see more details of who’s in the first volume. It’s currently available direct via our new online shop and will soon be joined by some initial limited prints from this volume and a handful of other non-Capsule related items that will also appear here on the blog in the coming weeks.

If you’re having any problems with the order process or have any questions at all, don’t hesitate to drop me an email via the address on the info page or via the contact page on the shop.

A new online issue of Multilink Magazine is incoming too I promise so please do keep checking back.

For more details and to order a copy at £7.99 click here.

 
 

Make It Count: Chapter 3

November 4th, 2009

Part 3 of the element documentary is out. I was a little skeptical when this series started, expecting to enjoy the early period but lose interest as it moved into more recent history. I’m pleased to say I was wrong and with this latest episode I’m understanding a lot more about the brands trajectory from what I remember in the mid nineties to where it is today.

“MAKE IT COUNT is a four-part documentary, which showcases Element’s defining moments and delves into its compelling story. From its humble beginnings, to a forward thinking global brand, this film covers two decades of stories and imagery.”

Here’s links to the Chapter 1 and Chapter 2 posts with embedded video as above. Visit the Make It Count website to watch and download each episode in a variety of resolutions.

 
 

Shohei Otomo

October 12th, 2009

Ball-point pen on paper illustrations by Shohei Otomo…

It’s been a while since I last looked at this stuff and made (then promptly lost) the mental note about posting it here, so big thanks to the good people over at the Nice Produce blog for posting it there and jogging my memory.

shohei_e

shohei_d

shohei_c

shohei_f

shohei_b

shohei_a

You can see more of Shohei’s work on his site… here.

Interesting stuff to look at on his blog too, probably a lot more interesting if you can read Japanese though.

 
 

Make It Count: Chapter 2

October 4th, 2009

The second chapter of the Element documentary is finally out, covering the period I’ve been most excited about seeing again. The first chapter focused largely on Johnny Schillereff and his personal background but this one moves on to the original Underworld Element initiated with Andy Howell.

“The first incarnation of Element came in the form of a small collaborative, East Coast company called Underworld Element. Most often referred to as Underworld, the company was inspired by the hip-hop movement and used a mixture of urban styles and reflected a raw and controversial vibe.

Soon after its inception, Underworld was plagued with many challenges, and the business began to collapse. Its original crew had all moved on, and Johnny was left with two choices: either turn the struggling brand around, or abandon Underworld altogether and start something entirely new.”

You can watch the above on the Element site at a variety of resolutions here.

If you’re into the documentary then the first Element video ‘Fine Artists’ (above) is a good follow up move.

 
 

S001: LMS – Disengage

September 12th, 2009

After much procrastination, I’m pleased to finally be posting the first installment of our mix series, Slide. Mixtapes have been an obsession of mine for about as long as I can remember. I have this ongoing fascination with the way we interpret various media… how no two individuals have the exact same take on a particular project and how these unique relationships influence our sense of involvement.

With a well considered mixtape, tracks can be placed in certain contexts and you often end up hearing something familiar in a new light. There’s a lot to be gleaned about the person putting the mix together too, the variety of tracks and moods and the type of transitions between them all say something about that individuals relationship with the ideas they’re using.

So the concept is simple, I’ve got together a pile of mixes from friends and associates and with their permission I’ll be posting them at intervals here on the blog via soundcloud. Over time we should rack up an interesting archive from the past present and future. Enough introductory rambling now, on to the first installment…

lms_disengage

I’m starting the series with a mix of my own from 2003 which may seem a little self indulgent though there is a specific reason for it too. Multilink wasn’t originally conceived as a magazine, it basically started life as a desire to get involved with creative people and projects of as wide a variety as possible. We stumbled into the idea of a pdf mag after Steve showed me Bloodwars and it seemed like something that between us we could get moving pretty quickly, so that’s what we did. With no experience of any conventional magazine editorial process, my plan was to approach the first issue as a mixtape only made with people and projects as opposed to 12″s and LPs and that’s basically what I’ve stuck with for all subsequent issues since.

The significance of starting our series with the Disengage mix is that it was planned and recorded during the same period Steve and I put together issue #01 of multilink. So as different as the end formats may be, I’ve always felt they shared a similar process in regards to selection and assembly.

I plan to avoid describing the content of each mix, opting instead for a little background info each time. However, if you do require serving suggestions then this one is probably well suited to long journeys or extended sessions of lazy leisure.

Download the mp3 via the arrow on the Soundcloud player. Larger front/back artwork and track listing can be downloaded here.